Poetry (from the Greek "ποίησις," poiesis, a "making" or "creating") is an art form in which language is used for its aesthetic qualities in addition to, or instead of, notional and semantic content. Poetry has a long history, and early attempts to define poetry, such as Aristotle's Poetics, focused on the various uses of speech in rhetoric, drama, song and comedy. Poetry often uses condensed forms and conventions to reinforce or expand the meaning of the underlying words or to invoke emotional or sensual experiences in the reader, as well as using devices such as assonance, alliteration and rhythm to achieve musical or incantatory effects.
French literature of the 17th century spans the reigns of Henry IV of France, the Regency of Marie de Medici, Louis XIII of France, the Regency of Anne of Austria (and the civil war called the Fronde) and the reign of Louis XIV of France. The literature of this period (the "Grand siècle") is often equated with the Classicism of Louis XIV's long reign during which France was beyond question the leading country in Europe (both politically and culturally) and the classical ideals of order, clarity, sense of proportion, and good taste were expounded -- but the century produced in fact far more than just the classicist masterpieces of Jean Racine and Madame de Lafayette.
In Renaissance France, literature (in the broadest sense of the term) was largely the product of encyclopedic humanism (works produced by an educated class of writers (both noble and bourgeois) from religious and legal backgrounds), although a new conception of nobility, modeled on the Italian Renaissance courts and their concept of the perfect courtier, began to take hold.
Illustration from Jami's Rose Garden of the Pious, 1553. The image blends Persian poetry and Persian miniature into one, as is the norm for many works of Persian literature.
Cædmon is the earliest English poet whose name is known. An Anglo-Saxon herdsman attached to the double monastery of Streonæshalch (Whitby Abbey) during the abbacy of St. Hilda (657–681), he was originally ignorant of the art of song but learned to compose one night in the course of a dream. He later became a zealous monk and an accomplished and inspirational religious poet.
Cædmon is one of twelve Anglo-Saxon poets identified in medieval sources, and one of only three for whom both roughly contemporary biographical information and examples of literary output have survived. His story is told to us in the Historia ecclesiastica gentis Anglorum ("History of the English church") by St. Bede.
| by T. S. Eliot |
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POLYPHILOPROGENITIVE
The sapient sutlers of the Lord
Drift across the window-panes.
In the beginning was the Word.
In the beginning was the Word.
Superfetation of το ευ,
And at the mensual turn of time
Produced enervate Origen.
A painter of the Umbrian school
Designed upon a gesso ground
The nimbus of the Baptized God.
The wilderness is cracked and browned
But through the water pale and thin
Still shine the unoffending feet
And there above the painter set
The Father and the Paraclete.
The sable presbyters approach
The avenue of penitence;
The young are red and pustular
Clutching piaculative pence.
Under the penitential gates
Sustained by staring Seraphim
Where the souls of the devout
Burn invisible and dim.
Along the garden-wall the bees
With hairy bellies pass between
The staminate and pistilate,
Blest office of the epicene.
Sweeney shifts from ham to ham
Stirring the water in his bath.
The masters of the subtle schools
Are controversial, polymath.
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The business of poetry is to harmonise the sadness of the universe |
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—A. E. Housman
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A syllable (Ancient Greek: συλλαβή) is a unit of organization for a sequence of speech sounds. It is typically made up of a syllable nucleus (most often a vowel) with optional initial and final margins (typically, consonants).
Syllables are often considered the phonological "building blocks" of words. They can influence the rhythm of a language, its prosody, its poetic meter, its stress patterns, etc.
A word that consists of a single syllable (like English cat) is called a monosyllable (such a word is monosyllabic), while a word consisting of two syllables (like monkey) is called a disyllable (such a word is disyllabic). A word consisting of three syllables (such as indigent) is called a trisyllable (the adjective form is trisyllabic). A word consisting of more than three syllables (such as intelligence) is called a polysyllable (and could be described as polysyllabic), although this term is often used to describe words of two syllables or more.
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